A Happy New Year to All!

Monday, December 31, 2012 0 comments

Happy New Year!
Every year the Chief Engineer of the Pratt Institute in New York City, Conrad Milster, sets up steam whistles from all kinds of things like ships, factories and vehicles and connects them to the steam pipes of the power plant at the institute. A midnight on New Years Eve he blows in the New Year in fine style.
You can see and hear lots of the whistles at this site:
New Years Steam Whistles

Here is a Steam Calliope giving a rousing entry to the new year.




It is a beautiful piece of machinery.


HAPPY NEW YEAR EVERYONE!

Keep your sightglass full, your firebox trimmed and your water iced.
KJ

The Gurney "Steam Carriage"

Sunday, December 30, 2012 0 comments

This is another of the great "What Ifs" of Steampunk.
In 1827 an English inventor, Sir Goldsworthy Gurney, perfected a workable "Steam Carriage". Inspired by advances in steam engines and boilers, and the early railway successes of Stephenson et al , he created a self mobile carriage that could carry passengers and cargo along the post road routes in England.
Unfortunately the railway lobby was rapidly gaining power and soon the British government began levying taxes and creating regulations which eventually stifled the nascent  steam road carriage business.
In 1827 however the prospects for the new invention looked very bright and this write up in "The Mirror of literature, Amusement, and Instruction" had a frontpage description complete with diagram.
Enjoy
Keep your sightglass full, your firebox trimmed and your water iced.
KJ

From Project Gutenberg


THE MIRROR
OF
LITERATURE, AMUSEMENT, AND INSTRUCTION.


VOL. X, NO. 287.]                   SATURDAY, DECEMBER 15, 1827.                 [PRICE 2d.


 
NEW STEAM CARRIAGE.

Explanation of the References.
1. The Guide and Engineer, to whom the whole management of the machinery and conduct of the carriage is intrusted. Besides this man, a guard will be employed.
2. The handle which guides the Pole and Pilot Wheels.
3. The Pilot Wheels.
4. The Pole.
5. The Fore Boot, for luggage.
6. The "Throttle Valve" of the main steam-pipe, which, by means of the handle, is opened or closed at pleasure, the power of the steam and the progress of the carriage being thereby regulated from 1 to 10 or 20 miles per hour.
7. The Tank for Water, running from end to end, and the full breadth of the carriage; it will contain 60 gallons of water.
8. The Carriage, capable of holding six inside-passengers.
9. Outside Passengers, of which the present carriage will carry 15.
10. The Hind Boot, containing the Boiler and Furnace. The Boiler is incased with sheet-iron, and between the pipes the coke and charcoal are put, the front being closed in the ordinary way with an iron door. The pipes extend from the cylindrical reservoir of water at the bottom to the cylindrical chamber for steam at the top, forming a succession of lines something like a horse-shoe, turned edgeways. The steam enters the "separators" through large pipes, which are observable on the Plan, and is thence conducted to its proper destination.
11. "Separators," in which the steam is separated from the water, the water descending and returning to the boiler, while the steam ascends, and is forced into the steam-pipes or main arteries of the machine.
12. The Pump, by which the water is pumped from the tank, by means of a flexible hose, to the reservoir, communicating with the boiler.
13. The Main Steam Pipe, descending from the "separators," and proceeding in a direct line under the body of the coach to the "throttle valve" (No. 6,) and thence, under the tank, to the cylinders from which the pistons work.
14. Flues of the Furnace, from which there is no smoke, coke and charcoal being used.
15. The Perches, of which there are three, conjoined, to support the machinery.
16. The Cylinders. There is one between each perch.
17. Valve Motion, admitting steam alternately to each side of the pistons.
18. Cranks, operating on the axle: at the ends of the axle are crotches (No. 21,) which, as the axle turns round, catch projecting pieces of iron on the boxes of the wheels, and give them the rotatory motion. The hind wheels only are thus operated upon.
19. Propellers, which, as the carriage ascends a hill, are set in motion, and move like the hind legs of a horse, catching the ground, and then forcing the machine forward, increasing the rapidity of its motion, and assisting the steam power.
20. The Drag, which is applied to increase the friction on the wheel in going down a hill. This is also assisted by diminishing the pressure of the steam—or, if necessary, inverting the motion of the wheels.
21. The Clutch, by which the wheel is sent round.
22. The Safety Valve, which regulates the proper pressure of the steam in the pipe.
23. The Orifice for filling the Tank. This is done by means of a flexible hose and a funnel, and occupies but a few seconds.

Mr. Goldsworthy Gurney, whose name is already familiar to most of our readers, after a variety of experiments, during the last two years, has completed a STEAM CARRIAGE on a new principle; or, as a wag said the other day, he has at length brought his plan to bear. We have, accordingly, procured a drawing of this extraordinary invention, which we shall proceed to describe generally, since the letters, introduced in the annexed Engraving, with the accompanying references, will enable our readers to enter into the details of the machinery:—First, as to its safety, upon which point the public are most sceptical. In the present invention, it is stated, that, even from the bursting of the boiler, there is not the most distant chance of mischief to the passengers. This boiler is tubular, constructed upon philosophical principles, and upon a plan totally distinct from any thing previously in use. Instead of being, as in ordinary cases, a large vessel closed on all sides, with the exception of the valves and steam conductors, which a high pressure or accidental defect may burst, it is composed of a succession of welded iron pipes, perhaps forty in number, screwed together in the manner of the common gas-pipes, at given distances, extending in a direct line, and in a row, at equal distances from a small reservoir of water, to the distance of about a yard and a half, and then curving over in a semi-circle of about half a yard in diameter, returning in parallel lines to the pipes beneath, to a reservoir above, thus forming a sort of inverted horse-shoe. This horse-shoe of pipes, in fact, forms the boiler, and the space between is the furnace; the whole being enclosed with sheet-iron. The advantage of this arrangement is obvious; for, while more than a sufficient quantity of steam is generated for the purposes requited, the only possible accident that could happen would be, the bursting of one of these barrels, and a temporary diminution of the steam-power of one-fortieth part. The effects of the accident could, of course, only be felt within its own enclosure; and the Engineer could, in ten minutes, repair the injury, by extracting the wounded barrel, and plugging up the holes at each end; but the fact is, that such are the proofs to which these barrels are subjected, before they are used, by the application of a steam-pressure five hundred times more than can ever be required, that the accident, trifling as it is, is scarcely possible.

Steampunk Badness

Saturday, December 29, 2012 0 comments

Ah.
Have to love the Horrible Histories series.
Enjoy this fun look at  Victorian criminal slang.
Keep your sightglass full, your firebox trimmed, but keep your eyes open for Fawney dropping Dollymops!
KJ



Travel the world of the 1890-1910s, in colour!

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This is a fabulous collection of over 6500 photochrom prints, at the Library of Congress, from the 1890s and early 20th c. The photos are available in up to 1024 x 765 resolution, at which size the detail is fantastic. Flikr has over 1300 with more being added all the time.

Photochrom Travel Views 1890-1910

Published primarily from the 1890s to 1910s, these prints were created by the Photoglob Company in Zürich, Switzerland, and the Detroit Publishing Company in Michigan. The richly colored images look like photographs but are actually ink-based photolithographs, usually 6.5 x 9 inches. Plenty more info at the Library of Congress Photochrom Prints.

Like postcards, the photochroms feature subjects that appeal to travelers, including landscapes, architecture, street scenes, and daily life and culture. The prints were sold as souvenirs and often collected in albums or framed for display.

The Library of Congress Prints and Photographs Division assembled its collection from two sources that provided prints in mint condition. In 1985, the prints of Europe and the Middle East were purchased from the Galerie Muriset in Switzerland. In 2004, Howard L. Gottlieb generously donated the North American views.
=============

Some possibly familiar examples:


Banff and Cascade Mountain 1902

Moraine Lake 1903


Just clicking through the hundreds of pictures from all over the world, locations mundane and exotic, really gives one a flavour for the Victorian scene.  Some places haven't changed much, but others are almost unrecognizable now.

Keep your sightglass full, your firebox trimmed and your water iced.
KJ

Of Green Faeries...

Thursday, December 27, 2012 0 comments

Ahhh... The inspiration of poets, artists and writers.

Nothing like spending an evening of good discussion, with great friends, over a cloudy glass or two of Absinthe.

Keep your sightglass full, your firebox trimmed and your water iced.
KJ 

Green Fairy: The symbol of liberté

From: Absinthe Fever a fantastic online site dedicated to the enjoyment and history of Absinthe

Fairy In Green By Derek Brewster

The Green Fairy is the English translation of La Fee Verte, the affectionate French nickname given to the celebrated absinthe drink in the nineteenth century. The nickname stuck, and over a century later, "absinthe" and "Green Fairy" continue to be used interchangeably by devotees of the potent green alcohol. Mind you, absinthe earned other nicknames, too: poets and artists were inspired by the "Green Muse"; Aleister Crowley, the British occultist, worshipped the "Green Goddess". But no other nickname stuck as well as the original, and many drinkers of absinthe refer to the green liquor simply as La Fee - the Fairy.

The symbol of transformation

But Green Fairy isn't just another name for absinthe: she is a metaphorical concept of artistic enlightenment and exploration, of poetic inspiration, of a freer state of mind, of new ideas, of a changing social order. To the ignorant drunk, absinthe will forever remain but potent alcohol, perhaps with a bit of thujone "high" thrown in. To the original bohemians of 1890s Paris, the Fairy was a welcomed symbol of transformation. She was the trusted guide en-route to artistic innovativation; she was the symbol of thirst (for life) to Arthur Rimbaud, the first "punk poet": it was the Fairy who guided him -- and his fellow poet and partner Paul Verlaine -- on their quest to escape the conventional reality of their time into the sanctuary of the surreal.
Transformation has always been the fundamental essence of the Green Fairy, for transformation is what she provides on several parallels. During the magical ritual of la louche, the drink itself first transforms from the concentrated, alcohol-rich, deep emerald green liquor into an alluring opalescent, cloudy greenish-white mixture. This, of course, is symbolic of the subsequent transformation that shall take place in the drinker's mind. As the cool water liberates the power of wormwood oil and the other herbal ingredients from the green concentrate, so will new ideas, concepts and notions be set free in the mind of the drinker -- be he a poet, an artist, a scientist, or the common man on the street.
Apparently so, anyway.

The goddess of artistic rebellion

Is the above a fanciful, perhaps absinthe-induced :-) description of the powers of the Fairy? Let the reader -- or perhaps the drinker -- decide for himself. Let there be no doubt, however, that the turn of the last two centuries produced art, poetry and ideas that were, for their time, shockingly original, rebellious and challenging to the extreme. This was the time of Rimbaud and Verlaine, who pursued their quest of challenging convention whenever they came across it. Their antics caused outrage across Europe at the time, but their ingenious poetry -- a reflection of their search for the true meaning of life -- remains with us to this day.
Inspiring and liberating, the Green Fairy was a powerful symbol of the avant-garde elite that gathered in Parisian cafes at the turn of the last two centuries. In this sense, the Fairy was what pot later became to the hippie subculture of the 1960s. In her company -- or under her influence -- Belle Epoque writers and artists became lucid commentators on an emerging new world. With the stroke of a brush or a pen, they experimented, they rebelled, they provoked, and so they successfully subverted the stuffy conventions of the time.

A Steampunk Mac Classic

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From http://dvice.com/arch...



Wozniak's Conundrum — a fully functional Mac with a Remington typewriter keyboard from 1897 wired up to its brains and a mouse built from an old Morse Code telegraph key.

Steve La Riccia owns one special Mac. While Apple's been busy tooting its new thin and light MacBooks, iMacs and iPads, Steve bunkered down for over three months and built himself a steampunk Mac.

Parts used include a 1991 Mac running Mac OS 7.5, the 114-year-old Remington typewriter keyboard, the telegraph key mouse, a 56K modem built from old phone parts and a floppy drive.

Because typewriters didn't have a "return/enter" key, Steve had to use a workaround. Instead of a key button, Steve repurposed the typewriter's cartridge release lever (the part that lifts the ink off and lets you roll the paper up to go to the next line) into a "hard return/enter" button. Neato.

Steve's steampunk Mac is currently on display at The Mac Store in Eugene, Oregon. If you're around there, we'd say it's worth peep. Steampunk never gets old, if it's done right.
-----

Hear hear I say!

Keep your sightglass full, your firebox trimmed and your water iced.
KJ

Photos of Yachts from the 1880s and 90s

Wednesday, December 26, 2012 0 comments

Yachts
These were the status symbols and playthings of the super wealthy of the US in 1880s and 90s.

The Yacht Photography of J.S. Johnston

This website is a library of antique yacht photographs taken by maritime photographer John S. Johnston (c.1839 - 1899) of New York City, in the late 1880s and 1890s, including America's Cup participants, Herreshoff yachts, and sail and steam yachts of all kinds.

Some examples:










Keep your sightglass full, your firebox trimmed and all that teak varnished!
KJ

About Gears, Goggles, and Steam oh My!

Here I collect interesting bits of information related to the world of Steampunk.

Category List

Absinthium (12) accessories (15) Airships (66) Art (1) Beakerhead (3) Books (65) comics (5) computation (11) costumes (16) etiquette (19) events (30) fiction (87) Flight Engineer (31) Fun (57) games (36) history (106) howto (21) Inventions (57) manners (6) Meetup Repost (90) movies (3) music (4) Musings (44) mystery (23) news (8) Parasol Duelling (46) Photos (66) Pie In the Sky (3) poetry (1) resources (50) Role Playing (59) Serial Story (28) Ships (39) Steam (34) Steampunk Sports (26) Tesla (13) video (77) website (57) What Ifs (16)

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